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Metro: Last Light is an evocative and moody first-person shooter with survival horror aspirations set against the bleak backdrop of a post-apocalyptic world. You look skyward to the ever present mass of tumultuous cloud and a few drips start to fall from the poisoned sky, splattering on your mask and obscuring your vision, you wipe away the drops and glance at your watch in a little over three minutes this beat up, second-hand air filter will stop removing the worst of the toxins and start letting in air that burns your lungs and shortens your life it’s time to hustle, a storm is coming. Perched precariously on the edge of existence, squinting toward a shrouded horizon, you ponder how that must have felt to live above ground, to have the luxury of a clear, expansive sky to gaze upon and clean air to breathe. Back before the sky was scorched, people lived and played amongst streets now choked thick with old world detritus. Metro: Last Light is intended to be a poster-child for the latest and greatest console programming techniques and PC GPUs, Beynon believes that, "By the time we come around to release we'll be at or close to the bleeding edge, as we were last time with 2033.”
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Huw Beynon claims that Last Light will feature a strong narrative that’s intended to combat “shooter-fatigue” amongst gamers who are fed up with “the apparent relegation of single-player to some shooting-gallery training mode for multiplayer.” Although Glukhovsky did write a sequel, titled Metro 2034, 4A Games has not used it as source material for Metro: Last Light Metro 2033 is based on the novel of the same name by Russian author Dmitry Glukhovsky. Eyes-on impressions of one of THQ’s brightest hopes for the year ahead, new screens included. Those that count Twitter, iced-tea and cat memes as everyday essentials are invited to walk a mile in Artyom’s shoes.